Sunday, 25 May 2014

Dear examiner,

Since september 2013 I have been working on creating this blog for my AS Media Studies coursework.

You can find my first posts at the bottom of the blog and the most recent ones at the top. To easily navigate through the blog use the navigation tools on the right hand side of the page.

The blog ranges from information about filming to my opening sequence.

I hope you enjoy it all.




Saturday, 26 April 2014

Shooting Schedule

I will shoot my opening sequence in March. While shooting I will follow my scenes in order of the storyboard. The shooting processes planned to take two whole days. We will start setting up each scene in advance of shooting so that we can have a productive set. I will shoot my first scene just before sunset on a saturday. As I am shooting just after winter the sun will set quite early. This will allow us more night shooting time and greatly benefit my film as the majority of it is set at night.

We will shoot late saturday night and I plan on finishing the first day just before midnight. We will then wake up early the next morning to start preparing the scenes we will shoot that day. We will have to wait again till it was dark in order to shoot so during the day we will decide how we can light up the vehicle in a way that no lighting sources will be seen. We will also lay out a track as to where the vehicle would drive along. At the end of the night we plan on having all the footage I need and will head back into London late that night.

Bracero Construction

Bracero Technology

Problems and Solutions from the Shoot

One of the main problems I faced while shooting Bracero was the fact that a large majority of it was required to be shot at night with very low lighting. This meant that I had to find a way for the camera to pick up the characters in the scene without having to flood light everything. I solved this problems in two ways. Firstly I increased the cameras ISO. The ISO affects how sensitive the camera lens is to light and by increasing it it meant the lens took in as much light as I wanted. I also used flashlights to light some of the scenes. This gave a feeling that the characters were hiding from people searching for illegal immigrants and added tension to my film.

Another problem I faced was the terrain I was shooting on. As I was using high tech equipment I did not want to damage it and so had to find a way to prevent mod and or rocks from scratching or dirtying the technology. I added a lot of handheld shots to the scenes over the most difficult terrain. This meant the camera did not have to be on or near the ground and could always be protected by the camera man. I also decided to use a much more sturdy camera stand so that it was less likely to fall over.

Thursday, 3 April 2014

AS Media Opening Sequence Evaluation Question #6

What have you learnt about technologies from the process of constructing this product?

When it came down to filming my opening sequence I learnt a lot about cameras and the equipment needed in order to effectively shoot the scenes. I learnt when it was necessary to change the ISO. This affects how sensitive the lens was to light. When shooting a darker scene I would have to increase the ISO and vice versa.


Through the process of editing I learnt a lot more about the two softwares I used, iMovie and Final Cut Pro. Understanding how to arrange clips with audio and adjust length speed as well as affects such as saturation all helped me to create a more detailed and professional opening sequence.


In order to adjust and edit the sound for my opening sequence I used Logic Pro X. Through using adjustments such as automation I was able to make the sound work with my shots much more effectively.



Friday, 28 March 2014

Thursday, 27 March 2014

Monday, 24 March 2014

Bracero Soundtrack

When choosing a soundtrack for Bracero I was looking for a tense and simple piece of music which would evoke tension and emotion in the audience whilst fitting the scenes which unfold in the sequence. In the end I decided on a slow paced sound track consisting mainly of piano and string instruments. The soundtrack slowly builds in volume as well as amount of instruments as the opening sequence progresses. This gradual building helps to keep the audience on their seat and wanting to see more.

The Soundtrack:


Title Font Analysis

In order to achieve the style of font I use in my opening sequence I mixed 3 font styles into 1.


I took the rustic style of this font and put it into mine in order to create a weathered and western feel.

This font influenced the style of lettering I used in my font. Harsh edges and rigid upper case letters helped to create the rough approach I was looking for.


This font inspired me to add a slight shadow to my font in order to give a slight depth of field. This helped to create a more detailed and interesting font which fit the scenario of the sequence.

Bracero Costume and Prop List

Costumes:

Mexican Number 1 (Juan): Grey jumper, dark grey/black/green chinos, grey old adidas, red t-shirt.



Mexican Number 2 (Jose): Red jumper, black sweatpants (changes to blue jeans), dark brown shoes, red t-shirt.


Coyote: Grey hoodie, dark green gloves, blue jeans.



Props:

Mexican Number 1 (Juan): Flashlight.

Mexican Number 2 (Jose): Flashlight.



Coyote: Dark greek golf cart.








Thursday, 20 March 2014

Pre-Production Checklist


Editing Bracero


This is a screenshot of me editing titles for my opening sequence. I had to choose a title font which represented the rough Mexican outback as well as the roughness of smugglers. I made the titles in the sequence appear in time with the soundtrack. This creates a more professional use of titles and is more dramatic.


This is a screenshot of me editing the soundtrack for my opening sequence. The soundtrack I used is very tense and dramatic. It has a slow tempo and has no vocals. It fits the tense atmosphere of the sequence and the events which unfold in it.


This is a screenshot of me selecting and cutting clips for my opening sequence. I had multiple angles of each shot and so had to select which different angles to use to make the final shot. I also had to make sure each of the individual shots were in the right place so that conversation flowed evenly.

Opening Sequence Shooting Location


I shot my opening sequence in the English Countryside. It was shot in the county of Hampshire and in the small town of Stockbridge. I chose to shoot in this location as certain areas of the dry landscape represented those you would expect to see in the rural landscape on the Mexico/America boarder. Shots were taking in both fields, forests and roads. This creates a more diverse viewing experience for the audience.

Bracero Cast

Mexican #1: Juan

Juan is the older one of the two Mexicans. He aims to make money in America and is the leading Mexican.

Played by: Jasper Hunt


Mexican #2: Jose

Jose is timid and has come only to accompany Juan. He too wants to find work in America.

Played by: Roop Arora



Coyotee:

He specialises in smuggling Mexicans across the border for a price. He does not talk much and has a dark background.

Played by: Arthur Bean


Tuesday, 4 March 2014

Bracero Camera Set-Up Diagrams

 These are the camera set-up diagrams from the shots I felt needed the most planning.

   
 



Monday, 3 March 2014

Bracero Storyboard


It was important to create a story board in pre-production in order to create a narrative using the shots I wanted to use.

I hand drew the storyboard focusing on the most important scenes. In order to give my actors the full idea of the lighting and time of day of each scene I added a colour scheme in Photoshop CS6. Blue represents scenes shot during the day whereas purple stands for night time scenes. The green represents grass and brown represents dirt roads. This allowed me to plan in advance what surfaces I would be shooting on and prepare gear in advance according to the surface of a scene. Finally the orange colour represents the sunset.

Saturday, 1 March 2014

Bracero Script

Bracero Script

         1.  Ext. A gate on a road in Mexico. Evening.

Two Mexicans climb over fence and head into the forest. The sun has not set yet and all that can be heard is their footsteps.

         2.  Ext. Hill in forest. Evening.

Two Mexicans running up the hill and heading into the forest. Fear is  shown in their faces and actions.

         3.  Ext. Field. Sunset.
    
Time-lapse of sun setting in a field. Shows transition from evening to  night.

         4.  Ext. Edge of forest. Night.

Two Mexicans shown running out of forest. Fear in their faces. Appear to be tired from running.

         5.  Ext. Field. Night.

Different shots of two Mexicans panicking while walking over rough ground in a dark field at night. Mexicans are looking for a vehicle.

6. Ext. Field. Night.

Mexicans spot light from vehicle.

JAUN

                        Oh, you see.

7.  Ext. Field. Night.

Shot of vehicle. Two Mexicans heading towards it.

JAUN

                        Oh, he’s there. Let’s go, let’s go.

JOSE

                        Go, go.

JUAN

                        Hola.

COYOTE
                        Hello gentlemen.

JUAN

                        Hello, uh, we come.

COYOTE

                        Um, I guess so, sure.

JUAN

                        Lets go, lets go.

COYOTE

                        I’ll take you to the checkpoint, but that’s as far as I’ll go.

JUAN

                        Si, si.

8.  Ext. Vehicle. Night.

Shot of vehicle driving down dirt road at night. Also close-up shots of the two Mexicans and the coyote while driving.

9.  Ext. Vehicle. Night.

The vehicle has stopped.

COYOTE

                        This is as far as I can take you boys, your on your own from here, sorry.

JOSE

                        Muchos gracias.

JUAN

                        Muchos gracias.

10. Ext. Checkpoint. Night.

Two Mexicans with torches walking in the dark. Fear is still in their faces and they are trying not to be seen.

11. Ext. Checkpoint. Night.
    
First person view of Juan looking around with the torch.






    



Thursday, 23 January 2014

From Dusk Till Dawn - Opening Sequence

1. How does the title sequence establish genre, character and narrative?

The scene is shot in Mexico. The beginning show two American males setting fire to a small building and taking a girl hostage. It portrays action and therefore establishes that the film is an action/thriller. The rest of the scene shows the two men driving in a car down a long deserted road with a girl in the trunk. We assume the main characters of the film are the two men.

2. How does the title sequence attract an audience’s interest?

It contains a lot of action, which entertains the audience. It also uses a dramatic soundtrack. These help to draw the audience in. It also starts to establish the storyline and causes you to want to know why they blow up the building and kidnap the girl.

3. What do you consider to be the target audience of the film and why?

The target audience of the film is 18 and above as it is rated R. This is because it contains sexual content, coarse language and violence.

4. Describe what you think is happening in the clip. What seems to be significant about what you can see?

The beginning of the clip starts with two men leaving what seems to be an old gas station. As they walk towards their car it blows up. This is significant because it is very dramatic. It is also a lot of action to take place in the first scene of a film. This gives the audiences the sense that the film will have a lot of action throughout. The rest of the clip is the two men driving down an empty road. One man has been shot through his hand and is bandaging it up. The other is driving. In the boot of the car we see a woman who has been kidnapped.

5. Describe the characters, their actions in the sequence and their relationships to one another.

It is clear through the way the two men react with each other that they have none each other for a while and might be close friends or work colleagues. They are shown arguing in the scene in none aggressive way.

6. How do setting, location, props and costume choices contribute to your interpretation of the sequence? Consider what information these convey.

The scene is set in the desert in Mexico. This gives it a rural and dirty feeling. The use of costumes is not all typical to what you would expect. The two men are in full suits. You would not expect to see this type of attire on dusty desert roads. Props used in the scene include alcohol and duck tape among others. They are typical everyday items that you would expect to see.

7. How does the sound shape your responses to the sequence?

The scene has both diegetic and non-diegetic sound. The diegetic sound is things such as talking and the car engine. The non-diegetic sounds in the clip include possibly some of the explosion sound, any sound effects and the soundtrack. The dialogue between the characters seems realistic and represents that you might hear between two men arguing. The soundtrack to the clip is in a very western style with a lot of guitar. It is something you might expect to here in that setting.

8. How do lighting and colour affect tone and atmosphere? Explore lighting choices, including noticeable use of light and shadow, as well as considering choice of colour.

The scene uses a lot of natural lighting in order to make it more realistic. This would have been easy to do, as in the desert there would have been a lot of sunlight. The tone is slightly orange. This is partly due to the amount of dust and dirt. This would also have been added in postproduction.

9. Consider the ways in which the editing affects our interpretation of what we see in this sequence. How important are pace and cowell as what you see?

In the opening sequence the pace of the editing is rather slow. This helps to establish the characters and the setting. The pace only slightly speeds up when the two main characters are in the car however very few shot angles are used so shots still tend to be long.

10. What questions would you want to ask about the rest of the film? Based on what you have seen, what predictions might you make about narrative events that have already occurred and developments follow?

The sequence makes you question who the main two characters might be, what they are doing and where they are going. Based on what happens in the scene you might predict that the two main characters will continue to get into lots of action.

11. How are titles integrated into the sequence and how important are they to understanding?

Titles start to be integrated once the two main characters have driven away. When they first come in they are centred in the middle of the shot and take up a large portion of it. The shot then fades to black and the film title scrolls up into the shot in big red letters. The colour red can be associated with action and blood and sub-consciously has an affect on the audience. The rest of the titles then appear in different areas of the shots in smaller letters and all in white

Thursday, 16 January 2014

Lion King Opening Sequence

Lion King Opening Sequence


1. How does the title sequence establish genre, character and narrative?

The title sequence shows the animated style of the whole film. This establishes to the audience that the film is animated. It is an epic title sequence, which establishes that it will be an epic film. The sequence introduces us to many of the characters present in the film. It also has a very powerful soundtrack over it written by Elton John. The track is called “The Circle of Life”. The track along with the seamless animation helps to move the audience.


2. How does the title sequence attract an audience’s interest?

It has a powerful soundtrack along with stunning animation. Together they create a dramatic atmosphere, which draws in the viewer. We are also shown many of the different characters throughout the sequence and it causes us to want to find out what happens to them in the rest of the film.

3. What do you consider to be the target audience of the film and why?

The target audience for the film would be children. This is because it has a G rating which stands for General Audiences. It is also the case that the film is by Disney, a film company who specialize in children’s films. Although the film is aimed at children it still greatly appeals to adults do to its great script, actors and soundtrack.





4. Describe what you think is happening in the clip. What seems to be significant about what you can see?

In the clip we can see a bunch of different African animals all heading to a central spot where the king lions cub has been born. The audience assumes it is a significant event as we are shown animals of all species from all over coming together.

5. Describe the characters, their actions in the sequence and their relationships to one another.

All the characters are animated animals. In the scene they are shown all coming together where the king lions new born son is. They are shown walking across dramatic landscapes such as rolling hills and large waterfalls. The animals seem to have a community feeling within them.


6. How do setting, location, props and costume choices contribute to your interpretation of the sequence? Consider what information these convey.

It is animated taking place in the African Serengeti. The animals and the scene all help to contribute to being in the wild. They help to create realism in the sequence.

7. How does the sound shape your responses to the sequence? Comment on dialogue, tone, incidental sound and any music you notice, exploring their impact on your emotional response to the sequence.

How does camera technique contribute to the creation of meaning in this sequence?

As the scene is set in the wild there is a lot of use of wide establishing shots. The scene also uses many panning and tracking shots as well as close-ups when new characters are introduced. We can see a panning close-up at the very beginning when a female lion walks on to a grassy hill. An example of a wide establishing shot is at the beginning with a shot of a waterfall and a cliff face.


8. Consider the ways in which the editing affects our interpretation of what we see in this sequence. How important are pace and continuity in shaping your response to what you see?

The editing in the scene is slow and flows well. It fits in well with the soundtrack, which is slow and emotional in a happy way. The slow cuts place the audience in a state of memorization due to all the beautiful scenes and animals.

9. What genre does this sequence seem to belong to?

The genre of the film is a hybrid between a musical and an adventure. The sequence fits to the musical aspect as it uses dramatic music with singing over it. The scene also liks to and adventure as we see the different journeys all of the animals are making.

10. What questions would you want to ask about the rest of the film? Based on what you have seen, what predictions might you make about narrative events that have already occurred and developments follow?

The scene makes you wonder what big event is going on. This is due to all of the animals heading to one place. It makes you question what events will be unraveling and makes you want to see more.

Wednesday, 1 January 2014

The History of Opening Sequences


The History of Opening Sequence’s

Opening sequences used to be made of titles showing the name of the film, the director, the cast and the production company, which were responsible for making the film. This was often seen in the time of silent films. The point of the opening sequence was to give a clue to the audience as to what the film is based around, its genre and what type of events might take place.

Here is an example of old fashion titles:


The Use of Titles:

Developed in 1917 for the silent film period, subtitling became very popular in filmmaking. Another form of titling known as surtitling was used in live performing arts since 1983. Typecasts were hired by film companies to make printed cards. With the development of technology animated styles of titling started to be used. This allowed for more creativity and detail in the titles.

Here is an example of an animated title sequence:


Present-day opening sequences:

Today, opening sequences tend to be longer in length, have much more detail, and are a lot more impressive. The development of technology has allowed for directors to have a wide range of flexibility. Modern day opening sequences tend to set the theme of the film and so are taken very seriously.

Here is an example of a modern opening sequence with amazing graphics and detail. It is from the newest James Bond film, Skyfall.